Education
1998-2002
PhD Fine Arts, Tasmanian School of Art, University of Tasmania, Hobart
1997
Bachelor of Fine Arts with Honours (First Class), Tasmanian School of Art, University of Tasmania, Hobart
1993-95
Bachelor of Visual Arts in Fine Art, Queensland College of Art, Griffith University, Brisbane
Residencies
2008-09
Kunstlerhaus Bethanien Australia Council Studio, Berlin
2003
Rosamund McCulloch Studio, Cite Internationale des Arts, Paris
Solo Exhibitions
2020
All Possible Worlds, Banter, Toowoomba
2017
The Seducer, Alexandra Lawson Gallery, Toowoomba
2014
The Invisible Object, Ryan Renshaw Gallery, Melbourne Art Fair, Melbourne
2013
The first crime, Ryan Renshaw Gallery, Brisbane
2012
Two worlds, one them being ideal, Ryan Renshaw Gallery, Project Space, Brisbane and RAYGUN, Toowoomba
2011
The Fourth Dimension, Centre for Contemporary Photography (CCP), Melbourne
2009
THE CLEARING, Kunstlerhaus Bethanien, Berlin and Gitte Weise Galerie, Berlin
2007
like never before, Gitte Weise Galerie, Berlin
2005-06
flock, Gitte Weise Galerie, Berlin
2005
flock, Gitte Weise Gallery, Sydney
2004
it’s a complex world, Gitte Weise Gallery, Sydney
2003
it’s a complex world, Institute of Modern Art (IMA), Brisbane
2001
LOVE U, Contemporary Art Spaces Tasmania (CAST), Hobart
Selected Group Exhibitions
2023
“Farr St”, Minerva, 20 Farr Street, Marrickville, Sydney
2022
All In!, Toowoomba Regional Art Gallery, Toowoomba
Mother, Brouhaha Gallery, Banter, Toowoomba
The Bowerman Collection, The Renshaws, Brisbane
2021
Fragile States, LASSO, Toowoomba
Love Lies Bleeding (with Tiffany Shafran), Alexandra Lawson Gallery, Toowoomba
Satellites, Alexandra Lawson Gallery, Toowoomba
2018
ALG presents 19 Goggs, Alexandra Lawson Gallery, Toowoomba
2017
“something”, Minerva, Sydney
Spring 1883, Minerva, The Establishement Hotel, Sydney
Retroactive, RAYGUN, Toowoomba
#KBSTransition, No Comply, Toowoomba
2016
The Curated Shelf Launch, 25 Corby Ave, Hobart
The Floral Gift (with Anna McMahon, Claire van Vuuren, Mitchell Grady and Dale Harrison),
Carriageworks, Sydney
The Floral Gift (with Anna McMahon and Claire van Vuuren), MOP Projects, Sydney
2015
To the lovers of the true and beautiful, TWENTY THIRTY SEVEN, Sydney
2014
The Floral Gift: In Search for the Meaningful (with Anna McMahon), Open Source Gallery,
Brooklyn, New York
For the Hustle, No Comply Gallery, Toowoomba
Plants and Personal Memories, MARS Gallery, Toowoomba
Superfluity, USQ Arts Gallery, Toowoomba
Compassionate Voices, Koskela, Sydney
The Brassington Affair, Plimsoll Gallery, Hobart
Josephine Ulrick and Win Schubert Photography Award, Gold Coast City Gallery, Gold Coast
2013
Joy before the object, Art Gallery of New South Wales, Sydney
Bowness Photography Prize, Monash Gallery of Art, Melbourne
Art & Australia Collection 2003 - 2013, Hazelhurst Regional Gallery, Gymea
2012
Cynthia Girard, Pontus Lindvall and friends (Malin Arnell, James Greenway, Tilda Lovell, Bjorn Perborg
and Sarah Ryan), September, Berlin
The First International Experiential Art Festival, RAYGUN, Toowoomba
2011
Continuity, University of Southern Queensland, Toowoomba
2009
Australian Art for Berlin, Gitte Weise Galerie, Berlin
ZOMBIE KUNSTHALLE, 34 Saarbrucker Strasse, Berlin
2008
City of Hobart Art Prize, Carnegie Gallery, Hobart
inside out, ie gallery, Toowoomba
Décor, Glen Eira City Council Gallery, Melbourne
one plus one, University of Southern Queensland Foyer Gallery, Toowoomba
2007
Perfect for every occasion: photography today, Heide Museum of Modern Art, Melbourne
20/20, Museum of Brisbane, Brisbane
Summer Exhibition, Gitte Weise Galerie, Berlin
Kirra Jamison, Rhys Lee, Sarah Ryan & Heidi Yardley, Jan Murphy Gallery, Brisbane
2006
Light Sensitive, National Gallery of Victoria, Melbourne
Art Movement, UTS Gallery, Sydney
Rendezvous mit Gitte volume 6 part II, Gitte Weise Galerie, Berlin
Josephine Ulrick and Win Schubert Photography Award, Gold Coast Arts Centre, Gold Coast
2005
The Year in Art, SH Ervin Gallery, Sydney
This Urban World, Devonport Regional Gallery, Devonport
ABN AMRO Emerging Artists Award, ABN AMRO Tower, Sydney
Citigroup Private Bank Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney
Rendezvous mit Gitte volume 5, Gitte Weise Gallery, Sydney
2003
Rendezvous mit Gitte volume 3, Gitte Weise Gallery, Sydney
2002
Primavera, Museum of Contemporary Art, Sydney
Octopus 3: Still Time, 200 Gertrude Street, Melboure
There, Plimsoll Gallery, Hobart
2001
What the World Needs Now, 1/143 Collins Street, Hobart
City of Hobart Art Prize, Tasmanian Museum and Art Gallery, Hobart
2000
Too Late, 1st Floor, Melbourne
Pivot V: About Photography, Carnegie Gallery, Hobart
1999
7th New York Digital Salon, Visual Arts Museum, New York, New York
Transmaterial, Arts Foyer Gallery, Otago Polytechnic, Dunedin, New Zealand
fall and cry, Foyer Space, Hobart
Sublime Absence, Smith + Stoneley, Brisbane
Liquid Evasions, Plimsoll Gallery, Hobart
Transmission, CAST Gallery, Hobart
Prizes, Awards and Grants
2013
Australia Council Grant (New Work)
2011
Art & Australia / Credit Suisse Private Banking Contemporary Art Award
2010
Australia Council Grant (New Work)
2008
Australia Council (Kunstlerhaus Bethanien Residency, Berlin)
2006
Arts Queensland Grant (New Work)
2004
Australia Council Grant (New Work)
2003
Arts Queensland Grant (Small Grants Program)
Dean’s Commendation for an Outstanding Doctorial Thesis, University of Tasmania
2002
Ian Potter Cultural Trust Grant
2001
City of Hobart Photo/Digital Media Prize
Bill Roberts Memorial Tasmania University Scholarship in Fine Arts
2000
Australia Council Grant (New Work)
1999
NAVA Pat Corrigan Artist Grant
1998
Australian Postgraduate Award
NAVA Pat Corrigan Artist Grant
Bibliography
2013
Maier, Heidi, ‘The First Crime’, Art Guide Australia
2012
O'Callaghan, Genevieve (ed.). Art & Australia / Collection, Awards, Projects 2003-2013, Art & Australia
2011
Hill, Wes. ‘Art & Australia / Credit Suisse Private Banking Contemporary Art Award’, Art & Australia, Winter 2011, Volume 48, Number 4, Page 768
Hornung, Sonja. ‘Honest Illusions’, Shoes and Ships and Sealing Wax, 20.02.11, http://sonjatineke.wordpress/2011/02/20/honest-illusions/
2010
Zimmer, Jenny (ed.). Look: Contemporary Australian Photography since 1980, Macmillan
2009
Eichler, Dominic. THE CLEARING (exh.cat), The Green Box Kunst Editionen, Berlin
2007
Schulte-Fischedick, Valeria. 'Berlin / Sarah Ryan', Art & Australia, Winter 2007, Volume 44, Number 4,
Page 611
Doropoulos, Tania. 'Art Movement: explorations of motion and change', Eyeline, Winter 2007, Number 63, Page 65
Always, Lesley. French, Blair. McFarlane, Kyla & Stanhope, Zara. Perfect for every occasion: photography today (exh.cat), Heide Museum of Modern Art, Melbourne
McBride, Frank. 20/20 (exh.cat), Museum of Brisbane, Brisbane
2006
Crombie, Isobel. Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund (exh.cat), National Gallery of Victoria, Melbourne
Leggett, Mike. 'Time sliced, perception shifted', RealTime, October-November 2006, Number 75
Finnane Gabrielle. 'River Sections', Art Movement: Explorations of Motion and Change (exh.cat), UTS Gallery, Sydney
2005
Cook, Robert. 'Growing up and Breathing', flock(exh.cat), Gitte Weise Gallery, Sydney/Berlin
Manford, Susan. 'Multiple Absolutes', Aurora, December 2005. Page 28
Ruffels, Troy. This Urban World (exh.cat), Devonport Regional Gallery, Devonport
Moore, Catriona. 'Decoration Aspiration & Nostalgia - Contemporary Australian Photography', Art & Australia. Autumn 2005. Volume 42. Number 3. Page 424-433
2004
Cook, Robert. ‘Sydney, Australia – it’s a complex world’, Art Papers. September-October 2004. Pages 59-60
Handran, Chris. ‘it’s a complex world’, Photofile. Winter 2004. Pages 67-68
2003
Martin-Chew, Louise. ‘Season-ender for umbrella group’, The Australian, 16.12.03. Page 14
Storer, Russell. it's a complex world (exh.cat), Institute of Modern Art, Brisbane
Millner, Jacqueline. ‘Primavera’, Broadsheet, Volume 32. Number 1. 2003. Page 29
2002
Bergmans, Jeroen. ‘The Agenda – the pick of the world’s exhibitions and shows’, Wallpaper, October 2002. Page 308
Broker, David. Primavera 2002 (exh.cat), Museum of Contemporary Art, Sydney
Hutak, Michael. ‘Primavera 2002: Art for a Post-Critical Era’, Australian Art Collector, Issue 22, October-November 2002. Page 104-106
Strahan, Lucinda. ‘Attention Please’, Harpers Bazaar, November 2002. Page 102
Brown, Suzanne. ‘Art/Contemporary’, Qantas Magazine, October 2002. Page 31-32
Day, Charlotte. Octopus 3 (exh.cat), 200 Gertrude Street, Melbourne
Storer, Russell. ‘Look at Me’, Photofile, Number 65, May 2002. Page 4-8.
Rhodes, Briony. ‘What the World Needs Now’, Eyeline, Number 47, Summer 2001/2002. Page 42-3
2001
Klaosen, Diana. ‘Sarah Ryan: I LOVE U’, Eyeline, Number 46, Spring 2001. Page 47-48
Klaosen, Diana. ‘Spectacular! Lenticular!’, Broadsheet, Volume 30. Number 3. 2001. Page 19
Rankin-Reid, Jane (ed.). What the World Needs Now (exh.cat), Hobart
Langley, Kim. ‘Framed – Sarah Ryan’, Vogue Australia, August 2001. Page 67
Kelly, Sean. ‘Photo Gaga’, Broadsheet, Volume 30. Number 2. 2001. Page 17
Watkins, Philip. I LOVE U (exh.cat), CAST Gallery, Hobart
Rankin-Reid, Jane. ‘Magazine Look, with Added Irony’, The Australian, 28.05.01. Page 15
Rankin-Reid, Jane. ‘Art Through a Lens Creatively’, The Sunday Tasmanian, 20.05.01. Page 20
Palmer, Daniel. ‘Shorts’, Photofile, April 2001. Page 31
Hart, Bill. ‘Pivot V – About Photography’, Photofile, April 2001. Page 56
Rankin-Reid, Jane. ‘New media images frame the mundane’, The Australian, 02.04.01. Page 15
2000
Colless, Edward. ‘Smart Art’, Australian Art Collector, Issue 14 October-December 2000. Page 64
Cuthbert, Simon. Pivot V: About Photography (exh.cat), Carnegie Gallery, Hobart
Nelson, Robert. ‘Back-seat driving’, The Age, 27.09.00
Watkins, Philip. Too Late (exh.cat), 1st Floor, Melbourne
Hill, Peter. ‘Extracts from: The Encyclopaedia of Photofictions’, Photofile, April 2000. Page 22
Collections
Art Gallery of New South Wales, Sydney
National Gallery of Victoria, Melbourne
Australian Consulate, Frankfurt, Germany
Artbank, Sydney
Hobart City Council, Hobart
Griffith Artworks, Brisbane
Toowoomba Regional Art Gallery, Toowoomba
Contact
sarahryan99@hotmail.com
1998-2002
PhD Fine Arts, Tasmanian School of Art, University of Tasmania, Hobart
1997
Bachelor of Fine Arts with Honours (First Class), Tasmanian School of Art, University of Tasmania, Hobart
1993-95
Bachelor of Visual Arts in Fine Art, Queensland College of Art, Griffith University, Brisbane
Residencies
2008-09
Kunstlerhaus Bethanien Australia Council Studio, Berlin
2003
Rosamund McCulloch Studio, Cite Internationale des Arts, Paris
Solo Exhibitions
2020
All Possible Worlds, Banter, Toowoomba
2017
The Seducer, Alexandra Lawson Gallery, Toowoomba
2014
The Invisible Object, Ryan Renshaw Gallery, Melbourne Art Fair, Melbourne
2013
The first crime, Ryan Renshaw Gallery, Brisbane
2012
Two worlds, one them being ideal, Ryan Renshaw Gallery, Project Space, Brisbane and RAYGUN, Toowoomba
2011
The Fourth Dimension, Centre for Contemporary Photography (CCP), Melbourne
2009
THE CLEARING, Kunstlerhaus Bethanien, Berlin and Gitte Weise Galerie, Berlin
2007
like never before, Gitte Weise Galerie, Berlin
2005-06
flock, Gitte Weise Galerie, Berlin
2005
flock, Gitte Weise Gallery, Sydney
2004
it’s a complex world, Gitte Weise Gallery, Sydney
2003
it’s a complex world, Institute of Modern Art (IMA), Brisbane
2001
LOVE U, Contemporary Art Spaces Tasmania (CAST), Hobart
Selected Group Exhibitions
2023
“Farr St”, Minerva, 20 Farr Street, Marrickville, Sydney
2022
All In!, Toowoomba Regional Art Gallery, Toowoomba
Mother, Brouhaha Gallery, Banter, Toowoomba
The Bowerman Collection, The Renshaws, Brisbane
2021
Fragile States, LASSO, Toowoomba
Love Lies Bleeding (with Tiffany Shafran), Alexandra Lawson Gallery, Toowoomba
Satellites, Alexandra Lawson Gallery, Toowoomba
2018
ALG presents 19 Goggs, Alexandra Lawson Gallery, Toowoomba
2017
“something”, Minerva, Sydney
Spring 1883, Minerva, The Establishement Hotel, Sydney
Retroactive, RAYGUN, Toowoomba
#KBSTransition, No Comply, Toowoomba
2016
The Curated Shelf Launch, 25 Corby Ave, Hobart
The Floral Gift (with Anna McMahon, Claire van Vuuren, Mitchell Grady and Dale Harrison),
Carriageworks, Sydney
The Floral Gift (with Anna McMahon and Claire van Vuuren), MOP Projects, Sydney
2015
To the lovers of the true and beautiful, TWENTY THIRTY SEVEN, Sydney
2014
The Floral Gift: In Search for the Meaningful (with Anna McMahon), Open Source Gallery,
Brooklyn, New York
For the Hustle, No Comply Gallery, Toowoomba
Plants and Personal Memories, MARS Gallery, Toowoomba
Superfluity, USQ Arts Gallery, Toowoomba
Compassionate Voices, Koskela, Sydney
The Brassington Affair, Plimsoll Gallery, Hobart
Josephine Ulrick and Win Schubert Photography Award, Gold Coast City Gallery, Gold Coast
2013
Joy before the object, Art Gallery of New South Wales, Sydney
Bowness Photography Prize, Monash Gallery of Art, Melbourne
Art & Australia Collection 2003 - 2013, Hazelhurst Regional Gallery, Gymea
2012
Cynthia Girard, Pontus Lindvall and friends (Malin Arnell, James Greenway, Tilda Lovell, Bjorn Perborg
and Sarah Ryan), September, Berlin
The First International Experiential Art Festival, RAYGUN, Toowoomba
2011
Continuity, University of Southern Queensland, Toowoomba
2009
Australian Art for Berlin, Gitte Weise Galerie, Berlin
ZOMBIE KUNSTHALLE, 34 Saarbrucker Strasse, Berlin
2008
City of Hobart Art Prize, Carnegie Gallery, Hobart
inside out, ie gallery, Toowoomba
Décor, Glen Eira City Council Gallery, Melbourne
one plus one, University of Southern Queensland Foyer Gallery, Toowoomba
2007
Perfect for every occasion: photography today, Heide Museum of Modern Art, Melbourne
20/20, Museum of Brisbane, Brisbane
Summer Exhibition, Gitte Weise Galerie, Berlin
Kirra Jamison, Rhys Lee, Sarah Ryan & Heidi Yardley, Jan Murphy Gallery, Brisbane
2006
Light Sensitive, National Gallery of Victoria, Melbourne
Art Movement, UTS Gallery, Sydney
Rendezvous mit Gitte volume 6 part II, Gitte Weise Galerie, Berlin
Josephine Ulrick and Win Schubert Photography Award, Gold Coast Arts Centre, Gold Coast
2005
The Year in Art, SH Ervin Gallery, Sydney
This Urban World, Devonport Regional Gallery, Devonport
ABN AMRO Emerging Artists Award, ABN AMRO Tower, Sydney
Citigroup Private Bank Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney
Rendezvous mit Gitte volume 5, Gitte Weise Gallery, Sydney
2003
Rendezvous mit Gitte volume 3, Gitte Weise Gallery, Sydney
2002
Primavera, Museum of Contemporary Art, Sydney
Octopus 3: Still Time, 200 Gertrude Street, Melboure
There, Plimsoll Gallery, Hobart
2001
What the World Needs Now, 1/143 Collins Street, Hobart
City of Hobart Art Prize, Tasmanian Museum and Art Gallery, Hobart
2000
Too Late, 1st Floor, Melbourne
Pivot V: About Photography, Carnegie Gallery, Hobart
1999
7th New York Digital Salon, Visual Arts Museum, New York, New York
Transmaterial, Arts Foyer Gallery, Otago Polytechnic, Dunedin, New Zealand
fall and cry, Foyer Space, Hobart
Sublime Absence, Smith + Stoneley, Brisbane
Liquid Evasions, Plimsoll Gallery, Hobart
Transmission, CAST Gallery, Hobart
Prizes, Awards and Grants
2013
Australia Council Grant (New Work)
2011
Art & Australia / Credit Suisse Private Banking Contemporary Art Award
2010
Australia Council Grant (New Work)
2008
Australia Council (Kunstlerhaus Bethanien Residency, Berlin)
2006
Arts Queensland Grant (New Work)
2004
Australia Council Grant (New Work)
2003
Arts Queensland Grant (Small Grants Program)
Dean’s Commendation for an Outstanding Doctorial Thesis, University of Tasmania
2002
Ian Potter Cultural Trust Grant
2001
City of Hobart Photo/Digital Media Prize
Bill Roberts Memorial Tasmania University Scholarship in Fine Arts
2000
Australia Council Grant (New Work)
1999
NAVA Pat Corrigan Artist Grant
1998
Australian Postgraduate Award
NAVA Pat Corrigan Artist Grant
Bibliography
2013
Maier, Heidi, ‘The First Crime’, Art Guide Australia
2012
O'Callaghan, Genevieve (ed.). Art & Australia / Collection, Awards, Projects 2003-2013, Art & Australia
2011
Hill, Wes. ‘Art & Australia / Credit Suisse Private Banking Contemporary Art Award’, Art & Australia, Winter 2011, Volume 48, Number 4, Page 768
Hornung, Sonja. ‘Honest Illusions’, Shoes and Ships and Sealing Wax, 20.02.11, http://sonjatineke.wordpress/2011/02/20/honest-illusions/
2010
Zimmer, Jenny (ed.). Look: Contemporary Australian Photography since 1980, Macmillan
2009
Eichler, Dominic. THE CLEARING (exh.cat), The Green Box Kunst Editionen, Berlin
2007
Schulte-Fischedick, Valeria. 'Berlin / Sarah Ryan', Art & Australia, Winter 2007, Volume 44, Number 4,
Page 611
Doropoulos, Tania. 'Art Movement: explorations of motion and change', Eyeline, Winter 2007, Number 63, Page 65
Always, Lesley. French, Blair. McFarlane, Kyla & Stanhope, Zara. Perfect for every occasion: photography today (exh.cat), Heide Museum of Modern Art, Melbourne
McBride, Frank. 20/20 (exh.cat), Museum of Brisbane, Brisbane
2006
Crombie, Isobel. Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund (exh.cat), National Gallery of Victoria, Melbourne
Leggett, Mike. 'Time sliced, perception shifted', RealTime, October-November 2006, Number 75
Finnane Gabrielle. 'River Sections', Art Movement: Explorations of Motion and Change (exh.cat), UTS Gallery, Sydney
2005
Cook, Robert. 'Growing up and Breathing', flock(exh.cat), Gitte Weise Gallery, Sydney/Berlin
Manford, Susan. 'Multiple Absolutes', Aurora, December 2005. Page 28
Ruffels, Troy. This Urban World (exh.cat), Devonport Regional Gallery, Devonport
Moore, Catriona. 'Decoration Aspiration & Nostalgia - Contemporary Australian Photography', Art & Australia. Autumn 2005. Volume 42. Number 3. Page 424-433
2004
Cook, Robert. ‘Sydney, Australia – it’s a complex world’, Art Papers. September-October 2004. Pages 59-60
Handran, Chris. ‘it’s a complex world’, Photofile. Winter 2004. Pages 67-68
2003
Martin-Chew, Louise. ‘Season-ender for umbrella group’, The Australian, 16.12.03. Page 14
Storer, Russell. it's a complex world (exh.cat), Institute of Modern Art, Brisbane
Millner, Jacqueline. ‘Primavera’, Broadsheet, Volume 32. Number 1. 2003. Page 29
2002
Bergmans, Jeroen. ‘The Agenda – the pick of the world’s exhibitions and shows’, Wallpaper, October 2002. Page 308
Broker, David. Primavera 2002 (exh.cat), Museum of Contemporary Art, Sydney
Hutak, Michael. ‘Primavera 2002: Art for a Post-Critical Era’, Australian Art Collector, Issue 22, October-November 2002. Page 104-106
Strahan, Lucinda. ‘Attention Please’, Harpers Bazaar, November 2002. Page 102
Brown, Suzanne. ‘Art/Contemporary’, Qantas Magazine, October 2002. Page 31-32
Day, Charlotte. Octopus 3 (exh.cat), 200 Gertrude Street, Melbourne
Storer, Russell. ‘Look at Me’, Photofile, Number 65, May 2002. Page 4-8.
Rhodes, Briony. ‘What the World Needs Now’, Eyeline, Number 47, Summer 2001/2002. Page 42-3
2001
Klaosen, Diana. ‘Sarah Ryan: I LOVE U’, Eyeline, Number 46, Spring 2001. Page 47-48
Klaosen, Diana. ‘Spectacular! Lenticular!’, Broadsheet, Volume 30. Number 3. 2001. Page 19
Rankin-Reid, Jane (ed.). What the World Needs Now (exh.cat), Hobart
Langley, Kim. ‘Framed – Sarah Ryan’, Vogue Australia, August 2001. Page 67
Kelly, Sean. ‘Photo Gaga’, Broadsheet, Volume 30. Number 2. 2001. Page 17
Watkins, Philip. I LOVE U (exh.cat), CAST Gallery, Hobart
Rankin-Reid, Jane. ‘Magazine Look, with Added Irony’, The Australian, 28.05.01. Page 15
Rankin-Reid, Jane. ‘Art Through a Lens Creatively’, The Sunday Tasmanian, 20.05.01. Page 20
Palmer, Daniel. ‘Shorts’, Photofile, April 2001. Page 31
Hart, Bill. ‘Pivot V – About Photography’, Photofile, April 2001. Page 56
Rankin-Reid, Jane. ‘New media images frame the mundane’, The Australian, 02.04.01. Page 15
2000
Colless, Edward. ‘Smart Art’, Australian Art Collector, Issue 14 October-December 2000. Page 64
Cuthbert, Simon. Pivot V: About Photography (exh.cat), Carnegie Gallery, Hobart
Nelson, Robert. ‘Back-seat driving’, The Age, 27.09.00
Watkins, Philip. Too Late (exh.cat), 1st Floor, Melbourne
Hill, Peter. ‘Extracts from: The Encyclopaedia of Photofictions’, Photofile, April 2000. Page 22
Collections
Art Gallery of New South Wales, Sydney
National Gallery of Victoria, Melbourne
Australian Consulate, Frankfurt, Germany
Artbank, Sydney
Hobart City Council, Hobart
Griffith Artworks, Brisbane
Toowoomba Regional Art Gallery, Toowoomba
Contact
sarahryan99@hotmail.com
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